{"id":3332,"date":"2024-08-16T17:59:24","date_gmt":"2024-08-16T15:59:24","guid":{"rendered":"https:\/\/galeriafernandez-braso.com\/?post_type=evento&#038;p=3332"},"modified":"2024-09-25T19:36:05","modified_gmt":"2024-09-25T17:36:05","slug":"2022-felix-de-la-concha","status":"publish","type":"evento","link":"https:\/\/galeriafernandez-braso.com\/en\/evento\/2022-felix-de-la-concha\/","title":{"rendered":"2022. F\u00e9lix de la Concha"},"content":{"rendered":"<p><strong>F\u00c9LIX DE LA CONCHA<\/strong><br><strong>WHITE TOWERS. AFTER FALLINGWATER<\/strong><\/p>\n\n\n\n<p>The first solo exhibition of F\u00e9lix de la Concha (Leon, 1962) in the gallery Fernandez-<br>Braso de Madrid. \u201cWhite towers, After Fallingwater\u201d brings together a number of paintings<br>carried out between 2020 and 2021 from different points of view, exterior and interior, the<br>building by Francisco Javier S\u00e1enz de Oiza. The artist focuses on him after his experience<br>in the House of the Waterfall (Pennsylvania, Usa) Frank Lloyd Wright, another icon<br>architectural that also inspired S\u00e1enz de Oiza. The Shell was there between the<br>years 2005 and 2006, the series \u201cFallingwater in Perspective\u201d, with unprecedented access to<br>the house, invited by the Western Pennsylvania Conservancy.<\/p>\n\n\n<div class='yrm-content yrm-content-1 yrm-content-hide' id='yrm-JV6FU' data-id='1' data-show-status='false' data-after-action='' style=\"visibility: hidden;height: 0;\">\n\t\t\t<div id='yrm-inner-content-yrm-JV6FU' class='yrm-inner-content-wrapper yrm-cntent-1'><\/p>\n\n\n\n<p>Between brutalism, the organicism and utopia, White Towers, vertical city 23<br>plants built at the base of curves, tried to, in the words of its author, to overcome \u201cthe<br>consideration of a tower was to the overlay floor to floor of a series of houses,<br>in place of a living organism\u201d. Since its construction, at the end of the sixties, it has been<br>become an icon of Spanish architecture and a building of worship for<br>creators of a distinct nature. The independent film director Jim Jarmusch was awarded the<br>role of the building in his film of 2009 \u201cThe limits of control\u201d. And recently,<br>White towers was the scene of the music video \u201cstupid\u201d, the singer madrid C.<br>Tangana.<\/p>\n\n\n\n<p>It is inevitable to remember some of the moments and players that evokes, direct<br>or indirectly, this exposure. The influence of the architecture of Frank Lloyd Wright<br>in S\u00e1enz de Oiza, formalized in the trip by the Spanish architect to States<br>United states at the end of the forties. The friendship and teamwork between Oiza and the<br>sculptor Jorge Oteiza and the relationship of both with the philanthropist John Huarte, entrepreneur<br>commissioned architect the project and the construction of White Towers.<\/p>\n\n\n\n<p>In the text of the catalogue of the exhibition, Mar\u00eda Escribano, art criticism, exposes, and<br>develops the themes that promote an exhibition and an artist as the Shell. The<br>figuration in our time. The architecture as \u201cthe spirit of the place\u201d.<\/p>\n\n\n\n<p>\u201cYou could say that F\u00e9lix de la Concha is a painter of portraits and landscapes, but above all<br>that is a painter of landscapes inhabited. Landscapes were inhabited, not by man but by<br>architectures, by artifices that he chooses to immortalize empty of its architects, but<br>marked for them, as if sight of the desire of eternity left by the absent<br>in every particle of her material form, and any godly divinity, he would have<br>entrusted with the task of making it visible\u201d.<\/p>\n\n\n\n<p>In addition to the works dedicated to Torres Blancas, the exhibition will include two works by the<br>series Fallingwater in perspective and a series done in 2021 on another building<br>emblematic of Oiza, the controversial \u201cHem of the M-30\u201d.<\/p>\n\n\n\n<p>\u201cTime\u201d, \u201cthe reflection on the permanent and the changing\u201d, the \u201cclose combat<br>body\u201d between the artist and reality, \u201cthe eternal and the fugitive\u201d, are concepts that come<br>of the series that has gone by F\u00e9lix de la Concha. One a day: 365 Views of the<br>Cathedral of Learning, exhibited at the Carnegie Museum of Art in 1999 and installed in<br>permanently in the Alumni Hall Pittsburgh. Fallingwater in Perspective (2005-<br>2006), invited by the Western Pennsylvania Conservancy and exhibited in several museums<br>united States (Melvin Art Gallery, Prize Tower, State Museum of Pennsylvania). One<br>Season from Each Corner (Columbus Museum of Art). Private Portraits \/ Public<br>Conversations (Hood Museum of Art, New Hampshire). Portraying Holocaust Survivors<br>(Weisman Museum of Art, Minneapolis). Hermitage Artist Intrigue (The Hermitage,<br>Sarasota). Panorama WBZ. Through the Looking-Glass (Universit\u00e4t St. Gallen, Switzerland).<\/p>\n\n\n\n<p>F\u00e9lix de la Concha studied at the Faculty of Fine Arts of Madrid until 1985, the year in<br>it is awarded in the First exhibition of Young Art. In 1989 he received the scholarship of the<br>Academy of Spain in Rome, and currently resides in Italy until 1995, the year in which it moves to the<br>The united states, where he fixed his residence, and continues his artistic career.<\/p>\n\n\n\n<p>The latest solo exhibition of F\u00e9lix de la Concha in Madrid took place in 2008 in the<br>galer\u00eda Leandro Navarro. In 2022, and formed part of the selection of gallery artists<br>Fern\u00e1ndez-Braso exposed at the fair ARCOmadrid, showing the series of 288 paintings<br>\u201cHanging clothes. A daily painting\u201d, between 2019 and 2020.<br>His next exhibition will be: Portico. Museo L\u00e1zaro Galdiano, Madrid, spain, (November).<br>CAB de Burgos, (June).<\/p>\n\n\n\n<p><br>The exhibition is due to open next Thursday, march 17, in the hours of 11 to 14 h. and<br>17 to 21 hours. The artist will be present from 18 to 21 hours.<\/p>\n\n\n<p><\/div>\n\t\t<\/div><div class='yrm-btn-wrapper yrm-inline-wrapper yrm-btn-wrapper-1  yrm-more-button-wrapper'><span title='Read +' data-less-title='Leer -' data-more-title='Leer +'  class='yrm-toggle-expand  yrm-toggle-expand-1' data-rel='yrm-JV6FU' data-more='Leer+' data-less='Leer -' style='border: none; width: 100%;'><span class=\"yrm-button-text-1 yrm-button-text-span\">Read+<\/span><\/span><\/div>","protected":false},"excerpt":{"rendered":"<p>F\u00c9LIX DE LA CONCHATORRES BLANCAS. AFTER FALLINGWATER Primera exposici\u00f3n individual de F\u00e9lix de la Concha (Le\u00f3n, 1962) en la galer\u00eda [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3301,"parent":0,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[8],"class_list":["post-3332","evento","type-evento","status-publish","format-standard","has-post-thumbnail","hentry","category-exposiciones"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>2022. 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