Las esculturas, s\u00edntesis y abstracciones de formas que remiten a un mundo org\u00e1nico, natural -vegetal, mineral- se muestran en su doble naturaleza material e inmaterial, delicada y robusta, bella y tr\u00e1gica, objeto e idea. Almod\u00f3var est\u00e1 presente en cada una de las obras. Su humanidad. Su cuerpo y sus manos trabajando el hierro. El objeto art\u00edstico, material y corp\u00f3reo, remite a los fundamentos b\u00e1sicos del arte. A la artista creadora, metamorfoseada en escultura, generadora, a su vez, mediante el lenguaje po\u00e9tico, de fen\u00f3menos, inquietudes, ideas y temores propios de la naturaleza humana.<\/p>\n\n\n
Fernando Castro Fl\u00f3rez, art critic, philosopher and professor of aesthetics at the Autonomous University of Madrid, write the text about the artist that will be included in the catalogue of the exhibition of the gallery Fern\u00e1ndez-Braso has been edited as a complement of the sample.<\/p>\n\n\n\n
CRISTINA ALMODOVAR (Madrid, 1970), is a Graduate in Fine Arts with a specialty in sculpture. Based on the work of iron, he has been making a constant technical research, multidisciplinary, combining images of inspiration natural to rational concepts, through the visual languages that about his work in the language of poetry. This proximity has led in recent years to perform multiple publications joining their works of poets and writers, and to create the book-object that gives the image to the newly created International Poetry Prize Joan Margarit, in collaboration with the Cervantes Institute and the editorial Bed Sun, recently delivered in New York, california, Sharon Olds, Pulitzer prize for poetry.<\/p>\n\n\n\n
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